Abanindranath Tagore
Abanindranath Tagore, born on August 7, 1871, in Jorasanko, Calcutta, was a pivotal figure in Indian art. Early in his artistic journey, he studied pastel, watercolour, and life drawing under Signor Gilhardi, followed by oil painting and portrait techniques with English painter Charles Palmer. In 1895, his Krishna-Lila series showcased a unique blend of European and Indian styles, gaining widespread acclaim.
Impressed by his talent, E.B. Havell, the Principal of the Calcutta School of Art, appointed him Vice-Principal. Under Havell’s mentorship, Abanindranath delved into the Mughal and Rajput painting styles, further enriching his artistic vocabulary.
DISTINCTIVE STYLE
In the early 1900s, Abanindranath Tagore’s artwork was shaped by Japanese scholar Okakura Kakuzo, who introduced him to composition and artistic unity. He also learned light brushwork techniques from Japanese artists Yokoyama Taikan and Hishida Shunso, influences reflected in his Omar Khayyam series. As the pioneer of the Bengal School of Art, Abanindranath sought to revive traditional Indian art while embracing modernist elements. Tagore’s paintings created a unique fusion of heritage and innovation, establishing a distinct Indian artistic identity.
His legacy
Abanindranath Tagore’s contributions extended beyond his paintings; he was a pioneer in the revival of Indian art, spearheading the modern art movement in Bengal. His emphasis on Indian cultural identity and artistic heritage inspired a generation of artists, ensuring his enduring influence on Indian art history.
