Galleria VSB

nandalal bose

Nandalal Bose (1882-1966), known as Master Moshai was a renowned Indian artist and a student of Abanindranath Tagore. Deeply inspired by India’s traditional folk art, he loved the colours, patterns, and stories of local traditions. He adapted these elements into his own work, creating a distinctive style that told stories of Indian life.

His career began during the Swadeshi movement, when Indians rejected British colonial influence and revived their cultural heritage. He turned away from Western art, drawing inspiration from India’s ancient murals at Ajanta and Bagh, as well as Mughal miniatures. His work reflected the richness of Indian history and traditions.

In 1919, Rabindranath Tagore invited him to lead the Kala Bhavan art school at Visva-Bharati University in Santiniketan, a hub for creativity and Indian values. Nandalal also played a role in India’s independence movement, designing posters for the Indian National Congress during the 1938 Haripura session. These posters, celebrating Indian culture, became widely admired.

His contributions to art shaped modern Indian painting while preserving traditional roots. As a teacher and artist, he left a lasting impact, making him one of the most respected figures in Indian art history.

DISTINCTIVE STYLE

Nandalal Bose’s artwork celebrated India’s heritage, drawing inspiration from Ajanta and Bagh cave murals, Mughal miniatures, and folk traditions. His work blended these influences into a distinctive style that captured India’s vibrant culture, history, and spirituality. By adapting folk styles with his personal touch, he bridged tradition and modernity.

Born into Bengal’s rich cultural milieu, he was influenced by the Jorasanko Tagore family. Trained by British painter Charles Palmer, Gangooly mastered European naturalism while infusing it with Indian imagery. Renowned for his portrayal of light and shade, his twilight scenes and beach landscapes exuded painterly finesse and deep emotion. His subtle brushwork and nuanced tones evoked a melancholic nostalgia, making his work timelessly captivating.

EXHIBITIONS

In 1919, Nandalal Bose was invited by Rabindranath Tagore to lead Kala Bhavan at Visva-Bharati University, mentoring generations of artists and shaping Indian art. His national prominence grew in 1938 when he created culturally rich posters for the Indian National Congress’s Haripura session, symbolizing India’s independence movement.

Bose played a key role in the Bengal School of Art, which emerged alongside the Swadeshi movement to revive Indian artistic heritage. Along with Tagore and E.B. Havell, he opposed colonial art influences, promoting a distinctly Indian style. His contributions cemented his legacy as a pioneer of modern Indian art and a champion of nationalism through art.

His legacy

Nandalal Bose was a pioneer of modern Indian art, deeply rooted in traditional aesthetics. His work celebrated India’s cultural identity and inspired countless artists to embrace their heritage. His legacy endures through his timeless artworks and the values he instilled in his students.
Bose’s direct involvement in the national movement began in 1930 with his iconic linocut print of Mahatma Gandhi, titled Bapuji, symbolizing strength and determination. His association with Gandhi and the Indian National Congress made him a household name. In 1950, he was chosen to illustrate the pages of the Indian Constitution, depicting India’s rich heritage using indigenous methods.
As the principal of Kala Bhavana at Santiniketan, Bose nurtured future artists, including Benode Behari Mukherjee, K.G. Subramanyan, and Satyajit Ray. His leadership helped Kala Bhavana become a hub of modern Indian art.
Bose passed away in 1966 at Santiniketan, but his influence remains strong. His 7,000 artworks, including Bapuji, are preserved at the National Gallery of Modern Art, New Delhi. His contributions to Indian art and nationalism continue to inspire, with art historian R. Siva Kumar noting that Bose’s work is yet to be fully grasped, even in India.